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beebo142, swagski, Internaut, DaveRowat, Eponymous, totodecu, manus-von-alles, yr130962, groovybranko, Rossmichael, facelift53, record_sheriff, chillyboy64, GustafAronsson, wybmadwity, Vinylkatten, CollectionFortyTwo

A1 Combination Of The 2

Lead GuitarJames Gurley

Written-By, VocalsSam Andrew

5:35
A2 I Need A Human To Love

Lead GuitarSam Andrew

Written-ByJanis Joplin, Sam Andrew

iv:45
A3 Summertime

Arranged BySam Andrew

Written-PastDuBose Heyward, George & Ira Gershwin

3:52
A4 Piece Of My Eye

Lead GuitarSam Andrew

Written-PastBert Berns, Jerry Ragovoy

iv:05
B1 Turtle Blues

GuitarPeter Albin

PianoJohn Simon

Written-ByJanis Joplin

four:15
B2 Oh, Sweet Mary

Lead GuitarPeter Albin

VocalsSam Andrew

Written-ByJanis Joplin, Peter Albin

4:05
B3 Ball And Chain

Lead GuitarJames Gurley

Written-PastLarge Mama Thornton

9:05
  • Bass Guitar, GuitarPeter Southward. Albin*
  • DrumsDave Getz
  • EngineerFred Catero, James Gurley, Janis Joplin, Jerry Hochman, Roy Segal
  • Featuring, VocalsJanis Joplin
  • GuitarJames Gurley
  • Guitar, Bass GuitarSam Houston Andrew Iii*
  • IllustrationRobert Crumb
  • Other [Sleeve Image] Canonical By Hell'due south Angels - Frisco
  • Photography By [Joplin Photo 1967]Thomas Weir
  • Producer [Uncredited]John Simon

Some copies has a "STEREO" sticker on the dorsum.
This version has "Printed and fabricated by Ernest J. Day & Co. Ltd...." at the bottom correct of the back sleeve, unlike Big Brother & The Holding Company - Cheap Thrills

U.k. 1st issue
Cover:
Laminated illustration with cartoons & credits in Crumb's inimitable style includes:
"Alive material recorded at Nib Graham's Fillmore Auditorium"
and "Turtle Dejection 'vibes' courtesy of Barney'south Beanery".
Back of embrace unlaminated, imprinted "Ernest J Mean solar day" & "GB"

Labels: "Made in England"
℗ 1968
Tracks; A1, A2, A4, B1, B2 & B3 (Cop. Con.) [Copyright Control]
Runway; A3 Chappell & Co.

  • Matrix / Runout (A-side run-out, stamped) : 63392 A1
  • Matrix / Runout (B-side run-out, stamped) : 63392 B1
  • Matrix / Runout (Variation one. A-side run-out, stamped) : 63392 A2
  • Matrix / Runout (Variation i. B-side run-out, stamped) : 63392 B2
Title ( Format ) Label Cat# Country Year

Recently Edited

Cheap Thrills ( LP, Album, Stereo ) CBS, CBS S seven-63392 , S 63.392 France 1968

Recently Edited

Cheap Thrills ( LP, Album, Stereo , Terre Haute Pressing, Gatefold) Columbia KCS 9700 U.s.a. 1968
Inexpensive Thrills ( Reel-To-Reel , Anthology, 7 ½ ips, four-Rail Stereo ) Columbia CQ 1040 United states 1968

Recently Edited

Cheap Thrills ( LP, Anthology, Stereo ) CBS SBP 233584 Australia 1968
Inexpensive Thrills ( LP, Album , Gatefold) Columbia KCS 9700 Canada 1968

Estesj3's avatar

I wish i could find more reviews like this. Cheers swagski. Everyone should effort to write more comprehensive period pieces like this. I knew this was a proficient album when i snagged it for a cadet, simply i want to know if what im belongings is a classic in someones eyes..this site rocks!

swagski's avatar

This album has merely got to be the gem in the crown of Joplin'south work. On the sleeve notes 'The Village Vocalisation' review describes Joplin existence for you "...Similar the daughter next door, but you live on the Lower East Side..."

For me, Joplin IS the streetwise hamlet phonation of those hot 'north smokey San Francisco nights of the period. She's the embodiment of the lyrics she sings, immersed in a liquor-soaked and gravel-voiced commitment, accentuated by crawly crystal-sweetness high notes, all wrapped up in a driving package that's supported past a ring who know what they're doing- and just where to do it. They had cut their teeth with an eponymous album on the Mainstream label but this adjacent piece of work, after signing with Albert Grossman, has the band really chewing hard and showing its class. The live recording of Ball And Chain captures the essence and spirit of where they were at in mid '68. The other half dozen tracks are studio numbers recorded at Columbia, although their clever engineering science piece of work provides a 'back room juke-joint' intensity to the performances.

There are no individual highlights on this anthology. The whole thing is a k-watt highlight, correct down to the iconic audio of breaking glass on Turtle Blues- no doubt an empty bottle of Southern Comfort that slipped from Joplin's grasp in a magical moment of vocal delivery...

Initially to be titled Dope, Sex, and Cheap Thrills, simply vetoed past the band'south management, Cheap Thrills is an album which captures that 'plough on, melody in, drop out' psychedelic San Francisco moment of the late 60s perfectly. The sleeve'due south "Approved by Hell'due south Angels - Frisco" logo and Robert 'Mr Natural' Nibble'south cover art simply adds to the thrill.